‘Ruined Chapel, Isle of Mull’ SOLD
Signed screenprint, printed by Kelpra Studio 1975 and published by Marlborough Fine Art. Screenprint printed on Velin Arches paper. Numbered edition of 70. Levinson # 249. This is the second print from the series ‘Five Scottish Chapels (in ruins)’. Image size 63cm x 83.5cm plus full borders. In original frame (in good order).
‘Ruined Chapel, Isle of Mull’ (signature)
‘Ruined Chapel, Isle of Mull’ (Framed)
‘My Uncle Silas’ SOLD
The original ink drawing for the headpiece ‘Silas and Goliath’, illustrating page 131 of the Jonathan Cape publication of ‘My Uncle Silas’ (1939). The original ink is framed and the aperture measures 11cm x 18cm. Provenance: Chris Beetles Ltd (label verso)
My Uncle Silas Provenance (verso)
‘My Uncle Silas’ Page 131
A hard back copy of ‘My Uncle Silas’ is included with the original drawing.
Auld Lang Syne SOLD
Full title ‘ ‘Christmas a L’Anglaise : Auld Lang Syne’. Original ink drawing published in Punch. Ink drawing measures 10cm x 21.5cm and is titled in pencil under the mount. Provenance: The Fine Art Society ‘Drawing and Illustrations by Ernest Howard Shepard’ 2006, catalogue number 203.
‘Auld Lang Syne’ provenance (verso)
The Fine Art Society Catalogue (included)
Auld Lang Syne is listed under catalogue number 203. The catalogue is included with the original drawing.
Windsor 1 SOLD
Signed watercolour, dated 1982, measuring 20cm x 26cm. Conservation mounted.
Windsor 2 SOLD
Signed watercolour, dated 1982, measuring 20cm x 26cm. Conservation mounted.
Windsor 3 SOLD
Signed watercolour, dated 1982, measuring 20cm x 26cm. Conservation mounted.
Presentation of Paolozzis
Where noted, the Paolozzi sculptures are presented box framed.
Double Assembly 2 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5cm (H) x 5cm (W) x 0.5cm (D), overall presentation 16cm x 16cm. Box framed.
Double Assembly 4 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5.5cm (H) x 4cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.
Double Assembly 5 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 6cm (H) x 6cm (W) x 1cm (D), overall presentation 20cm x 20cm. Box framed.
Double Assembly 7 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 3.55cm (W) x 2.5cm (D), overall presentation 16cm x 16cm. Box framed.
Double Assembly 8 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 5cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.
Double Assembly 9 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 3cm (H) x 10cm (W) x 2.5cm (D), overall presentation 16cm x 16cm. Box framed.
Double Assembly 10 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5cm (H) x 5.5cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.
Double Assembly 11 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 6cm (H) x 5cm (W) x 1.5cm (D), overall presentation 16cm x 16cm. Box framed.
Alphabet 2 £150
Plaster cast. Provenance: The Paolozzi Studio. Measures 9.5cm (H) x 11.5cm (W) x 1cm (D), overall presentation 20cm x 20cm. Box framed.
Torso SOLD
Plaster cast, presenting three dimensions, front and back, assembled from two casts. Provenance: The Paolozzi Studio. Measures 8cm (H) x 4.5cm (W) x 3cm (D). This piece is not framed, as should be viewed in three dimensions.
Triple Maquette 1 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 11.5cm (H) x 2.5cm (W) x 2.5cm (D), overall presentation 27cm x 22cm. Box framed.
Triple Maquette 2 £150
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 4.5cm (W) x 2.5cm (D), overall presentation 20cm x 20cm. Box framed.
Wooden Assembly 2 £150
Assembly of wooden forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 14cm x 6cm, overall presentation 31cm x 23cm. Box framed.
Two Nudes £575
Original pencil on tracing paper. Image measures 10cm x 10cm. Inscribed. Provenance: Manor Gallery. Framed.
West Gate, Southampton £150
Signed wood engraving. Block measures 20.5cm x 17.3cm plus borders Printed on Japon paper. Conservation mounted. Provenance: Artist’s family via Derwent Gallery. Literature: ‘Harry Epworth Allen, Catalogue of his works’, John Basford, page 99.
Wardlow Mires (A Derbyshire Village) £275
Signed wood engraving. Block measures 17.7cm x 25.7cm plus borders (image good and untouched, borders torn to edges). Printed on Japon paper. Conservation mounted. Provenance: Artist’s family via Derwent Gallery. Literature: ‘Harry Epworth Allen, Catalogue of his works’, John Basford, page 99.
Eglisa del Tercera Orden, Merida (1928) £225
Signed watercolour, dated 1928. Measures 34cm x 50cm. Conservation mounted.
The Cot Valley (ca. 1940) £175
Signed watercolour measuring 19.5cm x 27.5cm. Conservation mounted.
The Farmyard £250
Watercolour measuring 23cm x 30cm. Conservation mounted.
In Dry Dock (1918) SOLD
Original woodcut. The woodcut block measures 12.8cm x 21.9cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Yorkshire SOLD
Original woodcut. The woodcut block measures 10.4cm x 14.7cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Tarmac £300
Original woodcut. The woodcut block measures 10.4cm x 14.5cm. Initialled ‘EW’ in block lower left. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Landscape, West Riding £300
Original woodcut. The woodcut block measures 6.5cm x 10.3cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Platelayers’ Sheds SOLD
Original woodcut. The woodcut block measures 7.7cm x 7.8cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Wapping £350
Original woodcut. The woodcut block measures 12cm x 14cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Minesweepers SOLD
Original woodcut. The woodcut block measures 5cm x 13.6cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Black Country £300
Original woodcut. The woodcut block measures 10.9cm x 14.7cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Conservation mounted. For provenance, see * above.
Blast Furnaces £300
Original woodcut. The woodcut block measures 18.3cm x 7.4cm. Titled under image, as published. Sheet measures 13.7cm x 18.3cm. Lightly inked. Woodcut raisonne reference Greenwood WD 41. Conservation mounted. For provenance, see * above.
Townscape SOLD
Original woodcut. The woodcut block measures 18.3cm x 7.4cm. Titled under image, as published. Sheet measures 10.6cm x 9.5cm. Woodcut raisonne reference Greenwood WD 47. Conservation mounted. For provenance, see * above.
Portrait of a boy (Rupert Doone) SOLD
Original woodcut. Rupert Doone was a British dancer, choreographer, theatre director, and teacher in London. The woodcut block measures 18.3cm x 7.4cm. Titled under image, as published. Sheet measures 25.5cm x 19cm. Woodcut raisonne reference Greenwood WD 47. Conservation mounted. For provenance, see * above.
Edward McKnight Kauffer SOLD
Original lithograph, 1st edition 1928, published by Faber and Gwyer. Intact in booklet, lithograph measures 18.5cm x 11cm. Conservation mounted.
Barnett Freedman SOLD
Original lithograph, 1st edition 1927, published by Faber and Gwyer. Intact in booklet, lithograph measures 18.5cm x 11cm. Conservation mounted.
Gertrude Hermes SOLD
Original lithograph, 1st edition 1929, published by Faber and Gwyer. Intact in booklet, lithograph measures 18.5cm x 11cm. Conservation mounted.
John Nash £50
Original lithograph, 1st edition 1927, published by Faber and Gwyer. Intact in booklet, lithograph measures 18.5cm x 11cm. Conservation mounted.
Edward Bawden (I) SOLD
Original lithograph, 1st edition 1928, published by Faber and Gwyer. Intact in booklet, lithograph measures 18.5cm x 11cm. Conservation mounted.
Edward Bawden (II) SOLD
Original lithograph, 1st edition 1954, published by Faber and Faber. Intact in booklet, lithograph measures 20cm x 11cm. Conservation mounted.
Edward Ardizzone £35
Original lithograph, 1st edition 1954, published by Faber and Faber. Intact in booklet, lithograph measures 20cm x 11cm. Conservation mounted.
Marchioness of Bute £100
Original pencil and pastel drawing, measuring 28cm x 42cm. Light indentation to small part of paper. Provenance: Mall Galleries Memorial Exhibition, 1978. Conservation mounted.
Hon. Shaun Plunket I £60
Original pencil drawing, measuring 38cm x 30cm. Provenance: Mall Galleries Memorial Exhibition, 1978. Conservation mounted.
Hon. Shaun Plunket II £50
Original pencil drawing, measuring 34cm x 32cm. Provenance: Mall Galleries Memorial Exhibition, 1978. Conservation mounted.
Hon. Shaun Plunket III £50
Original pencil drawing, measuring 37cm x 21cm. Light time toning right edge. Provenance: Mall Galleries Memorial Exhibition, 1978. Conservation mounted.
A gentleman £50
Original pencil drawing, measuring 35cm x 23cm. Light time toning top half. Provenance: Mall Galleries Memorial Exhibition, 1978. Conservation mounted.
‘When I saw fayre and young’ £30
Original lithograph (autolithograph) from an edition of 660. Printed on laid mould made paper hand-made by TH Saunders. 1st edition (1955). Image measures 16cm x 10.6cm plus full borders. Orde Levinson # 94. Conservation mounted.
‘Sweet birds, that sit and sing amid the shadie vallies’ SOLD
Original lithograph (autolithograph) from an edition of 660. Printed on laid mould made paper hand-made by TH Saunders. 1st edition (1955). Image measures 18.8cm x 12.5cm plus full borders. Orde Levinson # 95. Conservation mounted.
‘To his mistress going to bed’ £30
Original lithograph (autolithograph) from an edition of 660. Printed on laid mould made paper hand-made by TH Saunders. 1st edition (1955). Image measures 16.7cm x 11.5cm plus full borders. Orde Levinson # 97. Conservation mounted.
‘Come away, come away, death’ £30
Original lithograph (autolithograph) from an edition of 660. Printed on laid mould made paper hand-made by TH Saunders. 1st edition (1955). Image measures 18.6cm x 12.1cm plus full borders. Orde Levinson # 98. Conservation mounted.
‘To her eyes’ £30
Original lithograph (autolithograph) from an edition of 660. Printed on laid mould made paper hand-made by TH Saunders. 1st edition (1955). Image measures 17.7cm x 12.5cm plus full borders. Orde Levinson # 100. Conservation mounted.
On the Making of Gardens I £30
Original lithograph (line-block autolithograph) from an edition of 1000. Printed on cream-wove paper hand-made by Hodgkinson of Wells. 1st edition (1949). Image measures 17.2cm x 10.1cm plus full borders. Orde Levinson # 72. Conservation mounted.
On the Making of Gardens III SOLD
Original lithograph (line-block autolithograph) from an edition of 1000. Printed on cream-wove paper hand-made by Hodgkinson of Wells. 1st edition (1949). Image measures 17cm x 10.4cm plus full borders. Orde Levinson # 74. Conservation mounted.
On the Making of Gardens IV £30
Original lithograph (line-block autolithograph) from an edition of 1000. Printed on cream-wove paper hand-made by Hodgkinson of Wells. 1st edition (1949). Image measures 13.8cm x 21.4cm plus full borders. Fold to centre, as published. Orde Levinson # 75. Conservation mounted.
On the Making of Gardens V £30
Original lithograph (line-block autolithograph) from an edition of 1000. Printed on cream-wove paper hand-made by Hodgkinson of Wells. 1st edition (1949). Image measures 14.2cm x 10cm plus full borders. Orde Levinson # 76. Conservation mounted.
On the Making of Gardens VI £30
Original lithograph (line-block autolithograph) from an edition of 1000. Printed on cream-wove paper hand-made by Hodgkinson of Wells. 1st edition (1949). Image measures 14.9cm x 21cm plus full borders. Fold to centre, as published. Orde Levinson # 77. Conservation mounted.
Kitchen Table (1960) £195
Pencil signed ink drawing measuring 17cm x 13cm. Framed. Some soft creases top right.
Kitchen Table (1960) Framed
Pencil signed ink drawing measuring 17cm x 13cm. Framed. Some soft creases top right.
Coniston Water (1952) £125
Signed limited edition lithograph (numbered edition of 20). Image measures 18cm x 38cm plus borders. Soft fold to bottom right. Conservation mounted.
Sleeping Centaur (the exhibited work 1960)
Study 1 SOLD (please see Artist’s listing for full collection)
Original watercolour, dates from 1928-29. Studio stamped verso. Sheet measures 15cm x 18cm. Mounted
Study 2 £60
Original watercolour, dates from 1928-29. Studio stamped verso. Sheet measures 14cm x 16cm. Mounted
Study 3 £50
Original ink drawing, dates from 1928-29. Studio stamped verso. Sheet measures 17cm x 20cm. Mounted
Study 4 £50
Original ink drawing, dates from 1928-29. Studio stamped verso. Sheet measures 17cm x 20cm. Mounted
Study 5 £50
Original ink drawing, dates from 1928-29. Studio stamped verso. Sheet measures 16cm x 19cm. Mounted
Study 6 £50
Original ink drawing, dates from 1928-29. Studio stamped verso. Sheet measures 13.5cm x 20.5cm. Mounted
Study 7 £50
Original ink drawing, dates from 1928-29. Studio stamped verso. Sheet measures 13.5cm x 20.5cm. Mounted
Study 8 £50
Original ink drawing, dates from 1928-29. Studio stamped verso. Sheet measures 18cm x 20.5cm. Mounted
Haybarns at Diepenheim (1965) £250
Signed wood engraving (1965) from the published edition of 35. Block measures 12.5cm x 14.9cm plus borders. Conservation mounted.
Song of Songs 1 (1936) £150
Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Slight ruckling. Conservation mounted.
Song of Songs 2 (1936) £125
Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Slight ruckling. Conservation mounted.
Song of Songs 3 (1936) £125
Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Slight ruckling. Conservation mounted.
Song of Songs 4 (1936) £125
Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Light time toning, slight ruckling. Conservation mounted.
1. ‘The Vigilance Committee’ £475
Original signed ink drawing, probably published in ‘Land and Water’. Land and Water was the title of a British magazine best known for its commentary on the First World War and its aftermath. John Nash was a significant illustrative contributor. The drawing pictured measures 18cm x 18.5cm. Framed. Provenance: Abbott & Holder / Collection of Howard Duckworth.
(1i) ‘The Vigilance Committee’ (detail)
Image displaying the full sheet with annotations under the mount. See neighbouring image.
2. Narcissus Triandrus Albus £450
The original ink drawing, published in ‘The Tranquil Gardener’, 1958. The drawing measures 10cm x 13cm. Sheet clean, some light creasing. Book included. Framed with full labels verso (see Provenance below) Literature: ‘The Tranquil Gardener’, 1958, page 109 Provenance: The Minories Exhibition ‘John Nash Book Designs’ catalogue number 141. The collection of Howard Duckworth.
(2i) Narcissus Triandrus Albus (detail)
The ink drawing (neighbouring) as illustrated in ‘The Tranquil Gardener’, 1958. Book included.
4. A compliment to The Composer £475
The original signed ink drawing, published in ‘Land and Water’ (17th July 1919, page 28). Land and Water was the title of a British magazine best known for its commentary on the First World War and its aftermath. John Nash was a significant illustrative contributor. The drawing pictures measures 16.5cm x 12.5cm. Framed. Literature: Land and […]
5. M Ansermet conducting Glinka’s ‘Jota Aragonesa’ SOLD
The original signed ink drawing, published in ‘Land and Water’ (5th June 1919, page 30). Land and Water was the title of a British magazine best known for its commentary on the First World War and its aftermath. John Nash was a significant illustrative contributor. The drawing pictured measures 10.5cm x 14cm. The full sheet (illustrated […]
(5i) M Ansermet conducting Glinka’s ‘Jota Aragonesa’ (detail)
Image displaying full sheet. Work can be mounted to preference.
Early Whistler (1927) £50
Pochoir lithograph, intact in booklet with additional printed line drawings. First edition Faber and Gwyer, 1927. Image measures 11.5cm x 7.75cm plus margins (18.5cm x 12cm) Image can be mounted without removing from booklet (can be mounted at no additional cost)
Men and Fields 1 £30 (£150 for set of 6)
Lithograph, 1939 Curwen (1st edition). Sheet measures 8.5″ x 5.2″. Conservation mounted.
Men and Fields 2 £30 (£150 for set of 6)
Lithograph, 1939 Curwen (1st edition). Sheet measures 8.5″ x 5.2″. Conservation mounted.
Men and Fields 3 £30 (£150 for set of 6)
Lithograph, 1939 Curwen (1st edition). Sheet measures 8.5″ x 5.2″. Conservation mounted.
Men and fields 4 £30 (£150 for set of 6)
Lithograph, 1939 Curwen (1st edition). Sheet measures 8.5″ x 5.2″. Conservation mounted.
Men and Fields 5 £30 (£150 for set of 6)
Lithograph, 1939 Curwen (1st edition). Sheet measures 8.5″ x 5.2″. Conservation mounted.
Men and Fields 6 £30 (£150 for set of 6)
Lithograph, 1939 Curwen (1st edition). Sheet measures 8.5″ x 5.2″. Conservation mounted.
Christmas Cactus (1991) £100
Signed watercolour measuring 23cm x 23cm. Mounted.
The Wicket Gate (1977) £95
Original etching, printed from the plate in 1989 for Merivale and Garton, by Jeremy Blighton and Anthony Dyson. Plate impression size is 17.2cm x 16.7cm. Printed on mould-made paper, sheet size 45.6cm x 38.3cm. Image mounted.
The Old Road : Elegy for The English Elm (1976) £95
Original etching, printed from the plate in 1989 for Merivale and Garton, by Jeremy Blighton and Anthony Dyson. Plate impression size is 30.2cm x 23.7cm. Printed on mould-made paper, sheet size 45.6cm x 38.3cm. Image mounted.
Hedge Flowers (1936) £95
Original etching, printed from the plate in 1989 for Merivale and Garton, by Jeremy Blighton and Anthony Dyson. Plate impression size is 23cm x 16.2cm. Printed on mould-made paper, sheet size 45.6cm x 38.3cm. Image mounted.