Bob Kay, Author at Modern British Gallery

Full Moon (1973) SOLD

Pencil signed etching, plate measuring 24.5cm x 19cm plus full borders. Printed 1977 from the original plate. Conservation mounted.

‘Wren and Primroses’ (1935) £275

Pencil signed etching, plate measuring 9.5cm x 11.2cm plus full borders. Printed 1977 from the original plate. Conservation mounted.

‘The Old Road: Elegy for the English Elm I’ (1976) £325

Pencil signed etching, plate measuring 30.3cm x 23.7cm plus full borders. Conservation mounted.

‘February’ (1975) £225

Pencil signed etching, plate measuring 26cm x 16cm plus full borders. Conservation mounted.

Signed coloured etching / aquatint, plate measuring 36cm x 60cm plus full borders (border blindstamped). Edition of 150. The two spots in the sky are colour tinting spots rather than foxing, so all in original condition. Unmounted.

The Guildhall, Lavenham (1977) SOLD

Signed coloured etching / aquatint, plate measuring 34.5cm x 47.75cm plus full borders (border blindstamped). Edition of 250. Unmounted.

Self Portrait (1932) SOLD

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 22.5cm x 16.2cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

Eastcote (1932) SOLD

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 21.3cm x 15cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

East Street Watergate (1934) SOLD

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 24cm x 15cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

Grey Topper (1937) £250

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 17.6cm x 15cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

Daisy Monica (1977) £175

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 20cm x 14.5cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

Orchard Moon (1990) SOLD

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 17.6cm x 25.3cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

The Afgan Hat (1991) SOLD

Pencil signed etching, printed from the original plate by the artist in edition of 40 on Somerset mould-made paper in 1992. Plate measures 28.3cm x 19.8cm plus full borders. Blindstamped ‘EH’. Conservation mounted.

The Gateway (1962) £250

Signed wood engravings, 1962 in numbered edition of 75. Block measures 12.7cm x 10.2cm plus borders. Conservation mounted.

Recanati (1956) SOLD

Signed oil on board, dated 1956 (note significance of date and location in artist’s biography). Measures 16cm x 17cm. Original frame (see artist’s listing for image).

Recanati (framed)

Original frame…plain but adequate.

Lady Amherst’s Pheasant £125

Signed watercolour measuring 31cm x 46cm. Conservation mounted.

Chateau Mouton Rothschild (1989) SOLD

Signed etching / aquatint, numbered edition of 150, border blindstamped. Plate measures 30cm x 41cm, full sheet measures 50cm x 53cm. Conservation mounted.

Chateau Rauzin Segla (1989) £150

Signed etching / aquatint, numbered edition of 150, border blindstamped. Plate measures 30cm x 41cm, full sheet measures 50cm x 53cm. Unmounted.

Chateau Lafite £50

Pencil signed screenprint, numbered from edition of 150, embossed title area, blind stamped. Full sheet measures 51cm x 63cm. Unmounted.

Chateau Lynch Bages £50

Pencil signed screenprint, numbered from edition of 150, embossed title area, blind stamped. Full sheet measures 51cm x 63cm. Unmounted.

Windsor Castle 1 (1954) SOLD

Signed and dated ink and watercolour measuring 29cm x 50cm. Conservation mounted.

Windsor Castle 2 (1954) SOLD

Signed and dated ink and watercolour measuring 26cm x 37cm. Small foxing spot top left. Conservation mounted.

Abstract 1 SOLD

Original watercolour and gouache, signed with initials, measuring 32cm x 30cm. Conservation mounted. Provenance: The London Art Society

Abstract 2 SOLD

Original watercolour and ink, signed with initials, measuring 35cm x 43cm. Conservation mounted. Provenance: The London Art Society

Heat 1 SOLD

Original watercolour and gouache, signed with initials, measuring 28cm x 22cm. Conservation mounted. Provenance: The London Art Society

Heat 2 £150

Original watercolour on tracing paper, signed with initials. The watercolour has cause slight ruckling to the paper which is minimised by the mounting. Titled top right. Measures 29cm x 21cm. Provenance: The London Art Society.

Triple Self Portrait (circa 1965) SOLD

Signed ink drawing (circa 1965) measuring 39cm x 28cm. Conservation mounted.

Etching 1 £95

Pencil signed etching. Plate measuring 6.5cm x 18cm plus borders. Conservation mounted.

Etching 2 £95

Pencil signed etching. Plate measuring 20.5cm x 25.3cm plus borders. Conservation mounted.

St. Didier Near Macon £375

Oil on board measuring 17.5″ x 22.5″. Framed. Please see artist’s listing ‘BUHLER, Robert’ for more details.

St. Didier Near Macon (framed)

St. Didier Near Macon (Illustration only)

The exhibited work for which the work for sale is a study.

Songs of Songs 1 (1936) £75

Pencil signed copper engraving (1936), plate measuring 17.5cm x 20cm plus full borders. Conservation mounted.

Song of Songs 2 (1936) £75

Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Conservation mounted.

Song of Songs 3 (1936) £75

Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Light time toning, slight ruckling from printing. Conservation mounted.

Song of Songs 5 (1936) £75

Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Light time toning, slight ruckling from printing. Conservation mounted.

Chris Prater (6 available / 3 sold) £75

‘Chris Prater’, 1980, pencil signed, unnumbered screenprint edition of 150, printed by Kelpra (blind stamp bottom left). Full sheet measures 75cm x 60cm. Presents well. slight handling bottom right border. Screenprint in Tate Collection. I understand that Chris Prater was Kitaj’s principal printer.

A Keepsake (1989) £55

Pencil signed wood engraving, two vignettes, each block measures 4.3cm x 3.3cm plus borders. Conservation mounted.

Roma (1962) £60

Pencil signed wood engraving, block measures 7.3cm x 10.4cm plus borders. Conservation mounted.

Anna & Joachim (1961) £55

Pencil signed wood engraving, block measures 7.7cm x 10cm plus borders. Conservation mounted.

King Monkey (1971) £40

Pencil signed wood engraving, block measures 2.7cm x 8cm plus borders. Conservation mounted.

Punch & Judy (1967) £40

Pencil signed wood engraving, block measures 4.5cm x 9cm plus borders. Conservation mounted.

Spaniel with Straw Dolly (1967) £40

Pencil signed wood engraving, block measures 5cm x 7cm plus borders. Conservation mounted.

Fallen (1971) £40

Pencil signed wood engraving, block measures 4.3cm x 6.5cm plus borders. Conservation mounted.

The Old Lady (2007) £35

Pencil signed wood engraving, block measures 6cm x 5cm plus borders. Conservation mounted.

Mother & Child with Candle (1962) £40

Pencil signed wood engraving, block measures 7.5cm x 8cm plus borders. Conservation mounted.

Mother & Child with Parrot (1963) £40

Pencil signed wood engraving, block measures 9.5cm x 8cm plus borders. Conservation mounted.

Portrait of Pepe (1980) £35

Unsigned wood engraving, block measures 8cm x 6.4cm plus borders. Conservation mounted.

The Window Sill £275

Signed pencil study, dated 1975. The sheet measures 65cm x 56cm. I want to give the buyer an option regarding how the drawing should be mounted. I can keep the image fully visible with the mounting to the edge and the aperture will be 65cm x 56cm. Alternatively, I can mount the image 45cm x […]

The Window Sill (detail)

Mediterranean Blossoms (pencil) £100

Original pencil, image measuring 32cm x 40cm. Conservation mounted. Small foxing spot to right of tree.

Mediterranean Goats (pencil) £100

Original pencil, image measuring 32cm x 40cm. Conservation mounted.

Mediterranean Farmyard (pencil) £100

Original pencil, image measuring 32cm x 40cm. Conservation mounted.

‘Goatherder’, Lithograph £100

Lithograph (precisely, ‘auto-lithograph’ whereby Allinson drew directly onto the printing surface). Signed in image and dated 1921. No other example of this image can be found (by me) and could be unique. Image measures 23cm x 20cm. Presentation: clean with tear repair to border under mount. Presents well. Conservation mounted.

Cotswold Pattern £75

First edition lithograph, 1952, printed and published by Frost and Reed. Overall sheet measures 43cm x 62cm. Presentation: very good, mild handling folds bottom left (near invisible to front)

Helianthus Soleil d’or (ca. 1950) £195

Pen and ink, inscribed top edge. Study of pans verso. Image measures 26cm x 19cm. Conservation mounted. With provenance labels for Liss Fine Art.

Penny Red (1994) Signature and date

Penny Red (1994) framed

(Please forgive glass reflections)

Farm Yard £475

Coloured pencils. Image measures 32cm x 55cm. Conservation mounted.

Mediterranean Village (ca 1924) £475

Original graphite and watercolour with estate blind stamp (bottom right). Image measures 30cm x 39cm. Conservation mounted.

Dutch Train Station (ca. 1912) £475

Pencil signed graphite and colour pencils. The date is suggested because Allinson travelled in Europe after graduating from the Slade School in 1910. Image measures 31cm x 49cm. Presents well. Paper repair bottom right. Conservation mounted.

Sulmona (1926) £250

Signed pencil drawing measuring 29cm x 44cm. Dated 15th March 1923, titled and further inscribed. Presents well but shows slight handling to edges. Conservation mounted.

Street Scene, France (ca. 1933) £250

Signed watercolour measuring 40cm x 56cm. The date is suggested due to comparable signatures from this period. Conservation mounted.

Friday Street, Surrey £150

Signed watercolour. Measures 29cm x 46cm. Provenance: Abbott & Holder. Conservation mounted with labelled backboard.

Exmoor (1935) £100

Signed watercolour on mould made tracing paper laid on board (all colours as original). Dated verso 10th September 1935 and titled ‘Exmoor’. Image measures 25cm x 35cm. Conservation mounted.

Elne £95

Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.

Arles Sur Tech £95

Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.

Rock-Cut Church, Aubeterre £95

Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.

Allegory £125

Pencil signed and titled wood engraving, artist’s proof. Block measures 21.7cm x 16.5cm plus full borders. Printed on Japon paper. Conservation mounted.

Denver Mill, Norfolk £175

Large ink, watercolour and pastel measuring 26cm x 72cm. Signed and titled. Conservation mounted.

The Morning Star (1932) SOLD

Pencil signed and titled wood engraving, numbered edition of 12 (this is number 1 of 12). Block measures 18.8cm x 12.8cm plus borders. Conservation mounted.

February (detail)

Quarry Road (detail)

Erewhon £125

Pencil signed wood engraving, titled ‘Chapter 22’ and initialled ‘Artist’s Proof 2’, dated 1931. Block measures 10cm x 8.4cm plus full borders. Conservation mounted.

The Flock (1927) £150

Pencil signed etching, plate measuring 21.5cm x 29cm, dated 1927. Conservation mounted.

Landscape £125

Signed pastel measuring 12.5cm x 18cm. Conservation mounted.

The Fine Art Society Catalogue (included)

Auld Lang Syne is listed under catalogue number 203. The catalogue is included with the original drawing.

Presentation of Paolozzis

Where noted, the Paolozzi sculptures are presented box framed.

Double Assembly 2 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5cm (H) x 5cm (W) x 0.5cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 4 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5.5cm (H) x 4cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 5 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 6cm (H) x 6cm (W) x 1cm (D), overall presentation 20cm x 20cm. Box framed.

Double Assembly 7 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 3.55cm (W) x 2.5cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 8 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 5cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 9 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 3cm (H) x 10cm (W) x 2.5cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 10 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5cm (H) x 5.5cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 11 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 6cm (H) x 5cm (W) x 1.5cm (D), overall presentation 16cm x 16cm. Box framed.

Alphabet 2 £150

Plaster cast. Provenance: The Paolozzi Studio. Measures 9.5cm (H) x 11.5cm (W) x 1cm (D), overall presentation 20cm x 20cm. Box framed.

Triple Maquette 1 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 11.5cm (H) x 2.5cm (W) x 2.5cm (D), overall presentation 27cm x 22cm. Box framed.

Triple Maquette 2 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 4.5cm (W) x 2.5cm (D), overall presentation 20cm x 20cm. Box framed.

Wooden Assembly 2 £150

Assembly of wooden forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 14cm x 6cm, overall presentation 31cm x 23cm. Box framed.

West Gate, Southampton £150

Signed wood engraving. Block measures 20.5cm x 17.3cm plus borders Printed on Japon paper. Conservation mounted. Provenance: Artist’s family via Derwent Gallery. Literature: ‘Harry Epworth Allen, Catalogue of his works’, John Basford, page 99.

Wardlow Mires (A Derbyshire Village) £275

Signed wood engraving. Block measures 17.7cm x 25.7cm plus borders (image good and untouched, borders torn to edges). Printed on Japon paper. Conservation mounted. Provenance: Artist’s family via Derwent Gallery. Literature: ‘Harry Epworth Allen, Catalogue of his works’, John Basford, page 99.

Author: Bob Kay