IAN RIBBONS ‘BBC Illustration 1’ £125 NOW £50
Ian Ribbons was born in 1924 and trained at the Royal College of Art. He was a visiting lecturer at St. Martin’s School of Art,
Ian Ribbons was born in 1924 and trained at the Royal College of Art. He was a visiting lecturer at St. Martin’s School of Art,
Ian Ribbons was born in 1924 and trained at the Royal College of Art. He was a visiting lecturer at St. Martin’s School of Art,
Archibald Ziegler was a painter, draughtsman and teacher, born in London. Studied at Central School of Arts and Crafts and at the Royal College of
Archibald Ziegler was a painter, draughtsman and teacher, born in London. Studied at Central School of Arts and Crafts and at the Royal College of
Charles Spencelayh (1865-1958) was born in Rochester, Kent, and studied at the *Royal College of Art and in Paris. Spencelayh specialized in anecdotal domestic scenes in the
Charles Spencelayh (1865-1958) was born in Rochester, Kent, and studied at the *Royal College of Art and in Paris. Spencelayh specialized in anecdotal domestic scenes in the
Charles Spencelayh (1865-1958) was born in Rochester, Kent, and studied at the *Royal College of Art and in Paris. Spencelayh specialized in anecdotal domestic scenes in the
Charles Spencelayh (1865-1958) was born in Rochester, Kent, and studied at the *Royal College of Art and in Paris. Spencelayh specialized in anecdotal domestic scenes in the
Edward Stamp was evacuated from London during the war to a small farm in Dunton, Buckinghamshire. The countryside had a profound impact on his creativity,
Edward Stamp was evacuated from London during the war to a small farm in Dunton, Buckinghamshire. The countryside had a profound impact on his creativity,
Signed and dated watercolour measuring 33cm x 45cm. Some foxing. Laid down. Conservation mounted.
Signed and dated watercolour measuring 36cm x 55cm. Some foxing. Conservation mounted.
Signed pencil and pastel measuring 50cm x 29cm. Dated 1965. Conservation mounted.,
Signed watercolour, 1995. Image measures 29cm x 36cm. Conservation mounted.
Signed watercolour, dated 24th March, 1979. Image measures 30cm x 23.5cm. Conservation mounted.
The original ink drawing for ‘War and Peace’, published 1971. Signed in pencil. Drawing measures 12cm x 39cm (irregular because shaped for publication). Mounted and
The original ink drawing for ‘War and Peace’, published 1971. Signed with initials in pencil. Drawing measures 18cm x 16cm (irregular because shaped for publication).
Pencil signed watercolour measuring 44cm x 59.5cm. Mounted.
Watercolour measuring 14.5cm x 20.5cm. Conservation mounted.
Pencil signed screenprint measuring 54cm x 40.5cm plus full borders. Printed 1984. Numbered edition of 100. Unframed. Condition: Overall, presents well. Very light foxing points
Signed lithograph, image measuring 38.5cm x 53.5cm plus borders. Numbered edition of 70. Conservation mounted. Trevelyan attended Cambridge between 1928 and 1930.
Signed watercolour (also studio stamped verso’, measuring 30.5 x 41.5cm. Conservation mounted. Note: some light foxing.
Signed wood engraving, printed from 1924 block in numbered edition of 50. Block size is 15.4cm x 18cm. Conservation mounted.
Pencil signed lithograph, numbered edition of 120. Image measures 27cm x 34cm plus borders. Conservation mounted.
Pencil signed etching, numbered edition of 50, plate size 15.7cm x 11.6cm plus borders. Conservation mounted.
Signed oil on canvas measuring 40cm x 60cm. Professionally cleaned. Framed. (Please se ‘BRILL, Reginald’ for more images)
Wood engraving, printed from the block, 1st edition 1922, published in limited edition of 200. Block measures 10.2cm x 12.3cm plus borders. Text backed as
Wood engraving, printed from the block, 1st edition 1922, published in limited edition of 200. Block measures 10.2cm x 12.7cm plus borders. Text backed as
Wood engraving, printed from the block, 1st edition 1922, published in limited edition of 200. Block measures 13.9cm x 11.2cm plus borders. Text backed as
Wood engraving, printed from the block, 1st edition 1922, published in limited edition of 200. Block measures 12.7cm x 10.3cm plus borders. Text backed as
Wood engraving, printed from the block, 1st edition 1922, published in limited edition of 200. Block measures 14.6cm x 11.4cm plus borders. Second wood engraving
Original pencil, ink and wash study for 1974 RA exhibit. Squared for transfer. Image measures 29cm x 26cm. Framed.
Pencil signed watercolour measuring 36cm x 47cm. Conservation mounted.
1st edition wood engraving, published 1928 in edition of 400. Block measures 13.6cm x 9.5cm. Blank verso. Conservation mounted. *Clare Colvin in “Paul Nash Book
1st edition wood engraving, published 1928 in edition of 400. Block measures 13.6cm x 9.5cm. Text verso. Conservation mounted. *Clare Colvin in “Paul Nash Book
1st edition wood engraving, published 1928 in edition of 400. Block measures 7cm x 5cm. Blank verso. Conservation mounted. *Clare Colvin in “Paul Nash Book
Signed wood engravings, 1962 in numbered edition of 75. Block measures 12.7cm x 10.2cm plus borders. Conservation mounted.
Signed watercolour measuring 31cm x 46cm. Conservation mounted.
Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Conservation mounted.
Pencil signed copper engraving (1936), plate measuring 26.2cm x 19cm plus full borders. Light time toning, slight ruckling from printing. Conservation mounted.
Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.
Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.
Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.
Large ink, watercolour and pastel measuring 26cm x 72cm. Signed and titled. Conservation mounted.
Pencil signed etching, plate measuring 21.5cm x 29cm, dated 1927. Conservation mounted.
Signed pastel measuring 12.5cm x 18cm. Conservation mounted.
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5cm (H) x 5.5cm (W) x 2cm
Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 4.5cm (W) x 2.5cm
Assembly of wooden forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 14cm x 6cm, overall presentation 31cm x 23cm.
Signed wood engraving. Block measures 20.5cm x 17.3cm plus borders Printed on Japon paper. Conservation mounted. Provenance: Artist’s family via Derwent Gallery. Literature: ‘Harry Epworth
Signed watercolour measuring 19.5cm x 27.5cm. Conservation mounted.
Signed wood engraving (1965) from the published edition of 35. Block measures 12.5cm x 14.9cm plus borders. Conservation mounted.
Original ink study for ‘Sheds’ (1968). Measures 9.5cm x 14.5cm. Conservation mounted. Provenance: Given by artist to Monica Poole.
Original ink study for ‘Broadwinner’ (1959). Measures 9.5cm x 14.5cm. Conservation mounted. Provenance: Given by artist to Monica Poole.
Signed etching, plate measuring 24cm x 33.2cm plus borders. Edition of 90, printed 1961. Mounted.
Signed ink (dated 1959) measuring 13″ x 18″. Soft folds in sheet from portfolio. Mounted. Provenance: Artist’s family.
Watercolour, painted across double folded sheet, measuring 18cm x 56cm. Provenance label for Abbott & Holder. Conservation mounted.
Signed watercolour, spanning two sheets, overall image measuring 15″ x 22″ plus borders. Provenance: The state of Peter Coker / Chris Beetles. Original frame available
Signed etching, numbered edition of 50. Plate measures 16.5cm x 15cm plus full margins. Mounted and framed. Provenance: Abbott & Holder.
Watercolour and pencil measuring 10″ x 13.5″. Titled in artist’s hand writing, bottom left. Mounted. Provenance: The estate of the artist’s family.
Watercolour and pencil measuring 7″ x 11″. Mounted. Provenance: The estate of the artist’s family.
Original pencil study for work in Imperial War Museum. Pencil on tracing sheet measuring 14″ x 11″. Mounted.
Pencil measuring 37cm x 27cm. Signed with initials. Studio blind stamped. Light staining to paper. Mounted.
Signed hand coloured artist proof lithograph. Measures 15cm x 20cm plus borders. Mounted.
From the portfolio edition of Characters of Romance, published loose by Heinemann in 1900. First edition 1900, lithograph measures 13.5″ x 10.5″ plus full borders
From the portfolio edition of Characters of Romance, published loose by Heinemann in 1900. First edition 1900, lithograph measures 13.5″ x 10.5″ plus full borders
From the portfolio edition of Characters of Romance, published loose by Heinemann in 1900. First edition 1900, lithograph measures 13.5″ x 10.5″ plus full borders
From the portfolio edition of Characters of Romance, published loose by Heinemann in 1900. First edition 1900, lithograph measures 13.5″ x 10.5″ plus full borders
From the portfolio edition of Characters of Romance, published loose by Heinemann in 1900. First edition 1900, lithograph measures 13.5″ x 10.5″ plus full borders