Modern British Gallery offers a large selection of affordable oils, watercolours and limited edition prints by major British artists.

WARD, John Stanton

John Stanton Ward CBE RA (1917-2007), with financial support from the Principal, Sir William Rothenstein, won a place at the Royal College of Art in London in 1936, where he studied under Gilbert Spencer, Barnett Freedman, Percy Horton, Charles Mahoney and Alan Sorrell, winning the prize for drawing. He served in the Royal Engineers in the Second World War from 1939, and used his drawing skills to design pillboxes in Kent. He was demobbed in 1946, and returned to the Royal College of Art for one year, winning its travelling scholarship in 1947. He drew illustrations for guides to Herefordshire and North Yorkshire. Finding that a Hereford art school colleague was now art editor at Vogue, he obtained commissions to draw illustrations for the magazine from 1948 to 1952. He taught at Wimbledon School of Art, and his volume of work and income expanded as his reputation and connections grew. He exhibited at Agnew’s gallery, and at the Maas Gallery. He drew illustrations for Laurie Lee’s Cider with Rosie (1959), H.E. Bates’s The Darling Buds of May (1958) and An Autobiography (1969–72) and for Joyce Grenfell’s George, Don’t Do That (1977). He made illustrations for a number of large companies – BP, Shell, Whitbread – and undertook portraits of royalty, cabinet ministers, city businessmen, and celebrities – Joyce Grenfell, Sir Michael Adeane, Sir Roger Bannister, Lord Denning, Norman Parkinson and Sir Arthur Norrington – and for members of the Society of Dilettanti and of Annabel’s. His royal portraits included the Princess of Wales in her wedding dress, the Princess Royal, and the Duchess of Gloucester. He painted the christenings of Prince William and Prince Harry, and also gave drawing lessons to the Prince of Wales. He also made “coloured drawing” (drawings tinted with watercolour) of landscapes. Fifteen of his portraits are held by the National Portrait Gallery. He became an associate of the Royal Academy in 1956, and a full member in 1966 (he was a Trustee from 1985 to 1993). He and three other members of the Royal Academy resigned in 1997 in protest at the Sensation exhibition. He never rejoined. He was also a member of the Royal Watercolour Society, the Royal Society of Portrait Painters (Vice-President from 1980 to 1985) and the New English Art Club. He received an honorary doctorate from University of Kent in 1982, and was appointed CBE in 1985.


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