Modern British Gallery offers a large selection of affordable oils, watercolours and limited edition prints by major British artists.

Les Poètes, Creole Lady (1973) £375

Pencil signed lithograph. From the lithograph edition of 110, pencil signed initials, printed on Arches. Mint condition on deckle sheet, sheet size 47.4cm x 38.1cm. Conservation mounted if required.

‘The Saloon Bar’ (1953) £225

Pencil signed lithograph, image measuring 35cm x 47cm. Printed by The Royal College of Art as part of ‘The Coronation Series’, to celebrate the coronation of Queen Elizabeth II. Conservation mounted.

On The Dart £125

Signed watercolour, measuring 35cm x 41cm. Titled ‘Dartington’ verso. Conservation mounted.

Landscape 1 £250

Pencil signed watercolour measuring 36cm x 47cm. Conservation mounted.

Landscape 2 £250

Pencil signed watercolour measuring 36cm x 47cm. Conservation mounted.

Landscape 3 £250

Pencil signed watercolour measuring 36cm x 47cm. Conservation mounted.

The Downs £125

Wood engraving printed from block. Limited edition of 75, printed on hand-made paper. Block measures 7.5cm x 9.5cm (blank verso). Mounted.

Loch Alsh £125

Signed watercolour measuring 21cm x 27.5cm. Conservation mounted.

God on His Throne £100

1st edition wood engraving, published 1928 in edition of 400. Block measures 13.6cm x 9.5cm. Blank verso. Conservation mounted. *Clare Colvin in “Paul Nash Book Designs” marks them out: “(this suite of 4 prints) stylistically mark the climax of Nash’s representational wood engravings”

Boredom £100

1st edition wood engraving, published 1928 in edition of 400. Block measures 13.6cm x 9.5cm. Text verso. Conservation mounted. *Clare Colvin in “Paul Nash Book Designs” marks them out: “(this suite of 4 prints) stylistically mark the climax of Nash’s representational wood engravings”

The Two Angels £75

1st edition wood engraving, published 1928 in edition of 400. Block measures 7cm x 5cm. Blank verso. Conservation mounted. *Clare Colvin in “Paul Nash Book Designs” marks them out: “(this suite of 4 prints) stylistically mark the climax of Nash’s representational wood engravings”

Mnemosyne (1918) SOLD

Pencil signed wood engraving, block measuring 11.4cm x 5.4cm plus borders. A rare impression. Conservation mounted.

Zinc Printing Block 1 SOLD

Original zinc printing block, inked and therefore used, positioned on mahogany platform base, signed verso. Block measures 12cm x 9cm.

Zinc Printing Block 2 SOLD

Original zinc printing block, inked and therefore used, positioned on mahogany platform base, signed verso. Block measures 12cm x 9cm.

Zinc Printing Block 3 SOLD

Original zinc printing block, inked and therefore used, positioned on mahogany platform base, signed verso. Block measures 4cm x 4cm.

Cornish Village £60

Watercolour measuring 7″ x 9.5″. Conservation mounted. Provenance : The artist’s studio.

Chateau Lafite £50

Pencil signed screenprint, numbered from edition of 150, embossed title area, blind stamped. Full sheet measures 51cm x 63cm. Unmounted.

Chateau Lynch Bages £50

Pencil signed screenprint, numbered from edition of 150, embossed title area, blind stamped. Full sheet measures 51cm x 63cm. Unmounted.

Heat 2 £150

Original watercolour on tracing paper, signed with initials. The watercolour has cause slight ruckling to the paper which is minimised by the mounting. Titled top right. Measures 29cm x 21cm. Provenance: The London Art Society.

Chris Prater (6 available / 3 sold) £75

‘Chris Prater’, 1980, pencil signed, unnumbered screenprint edition of 150, printed by Kelpra (blind stamp bottom left). Full sheet measures 75cm x 60cm. Presents well. slight handling bottom right border. Screenprint in Tate Collection. I understand that Chris Prater was Kitaj’s principal printer.

The Window Sill £275

Signed pencil study, dated 1975. The sheet measures 65cm x 56cm. I want to give the buyer an option regarding how the drawing should be mounted. I can keep the image fully visible with the mounting to the edge and the aperture will be 65cm x 56cm. Alternatively, I can mount the image 45cm x […]

Friday Street, Surrey £150

Signed watercolour. Measures 29cm x 46cm. Provenance: Abbott & Holder. Conservation mounted with labelled backboard.

Exmoor (1935) £100

Signed watercolour on mould made tracing paper laid on board (all colours as original). Dated verso 10th September 1935 and titled ‘Exmoor’. Image measures 25cm x 35cm. Conservation mounted.

Elne £95

Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.

Arles Sur Tech £95

Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.

Rock-Cut Church, Aubeterre £95

Lithograph, signed on the stone, 1st edition 1930. Edition of 40. Image measures 38cm x 27.5cm. Example from edition in Tate Collection. Conservation mounted.

Allegory £125

Pencil signed and titled wood engraving, artist’s proof. Block measures 21.7cm x 16.5cm plus full borders. Printed on Japon paper. Conservation mounted.

The Morning Star (1932) SOLD

Pencil signed and titled wood engraving, numbered edition of 12 (this is number 1 of 12). Block measures 18.8cm x 12.8cm plus borders. Conservation mounted.

Erewhon £125

Pencil signed wood engraving, titled ‘Chapter 22’ and initialled ‘Artist’s Proof 2’, dated 1931. Block measures 10cm x 8.4cm plus full borders. Conservation mounted.

The Flock (1927) £150

Pencil signed etching, plate measuring 21.5cm x 29cm, dated 1927. Conservation mounted.

Landscape £125

Signed pastel measuring 12.5cm x 18cm. Conservation mounted.

Double Assembly 2 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5cm (H) x 5cm (W) x 0.5cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 4 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 5.5cm (H) x 4cm (W) x 2cm (D), overall presentation 16cm x 16cm. Box framed.

Double Assembly 5 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 6cm (H) x 6cm (W) x 1cm (D), overall presentation 20cm x 20cm. Box framed.

Double Assembly 7 £150

Assembly of plaster cast forms, used for compositional development of sculptures. Provenance: The Paolozzi Studio. Largest piece measures 7cm (H) x 3.55cm (W) x 2.5cm (D), overall presentation 16cm x 16cm. Box framed.

Everyman £125

Wood engraving printed from block. Limited edition of 75, printed on hand-made paper. Block measures 14.1cm x 16.3cm (blank verso). Mounted.

He Frees The Waters £125

Wood engraving printed from block. Limited edition of 75, printed on hand-made paper by Clover Hill in 1981. Block measures 15.5cm x 24.5cm (blank verso). Mounted.

Divine Lovers I SOLD

Wood engraving, limited edition of 400, printed from block. Douglas Cleverdon 1929. Block size : 8.8cm x 7.8cm on full sheet measuring 33.2cm x 25cm. Conservation mounted.

Girl in bath II £125

Wood engraving, limited edition of 400, printed from block. Douglas Cleverdon 1929. Block size : 10.6cm x 10.6cm on full sheet measuring 33.2cm x 25cm. Conservation mounted.

Naked girl on grass SOLD

Wood engraving, limited edition of 400, printed from block. Douglas Cleverdon 1929. Block size : 4cm x 7.7cm on full sheet measuring 33.2cm x 25cm. Conservation mounted.

Mary Magdalene £100

Wood engraving, limited edition of 400, printed from block. Douglas Cleverdon 1929. Block size : 6.7cm x 6.6cm on full sheet measuring 33.2cm x 25cm. Conservation mounted.